iOS 18 [on the left], version iOS 26; S Version [right]
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Capital camera iOS 26-one for the Content creators, also follows the user interface, also making the control formats and resolutions less upset Class = “COL-SM-12″> with some digging, he also provided ways to emphasize the shots such as panoramas. iOS 18
For iOS 26, the camera application was given overhaul in appearance and in the utility. The one that beginners YouTubers could probably appreciate.
optimized UI
The camera application has always used a Spartan interface. You had a number of options available to you on the screen, but they were minimally destructive while you took a picture.
a new approach to liquid glass takes this idea and works with it again. Now relatively less to interfere on the screen for photography.
To begin with the shutter button was raised and separated from the rest of the interface of the base edge, which makes it clear where you should click when the time comes. It is also much closer to the options for increasing.
The previous interface had a string of camera functions between the shutter and Zoom levels, but this time it is below the shutter. This is much more than before, and it makes sense, since you really do not need to see or change it when you get to make a factual shot.
Type of photography, the choice of different modes and settings in the camera for iOS 26
The line of functions was also adjusted, with a shutter of the line, to show only photos and videos by default. Their press and the blow are raised by the rest of the options, since small glass tablets are expanded to push off the chamber switch and temporarily photograph the elements.
The upper part of the screen also has additional settings, as usual. Nevertheless, while iOS 18 had a small arrow button to add more or less to your review, iOS 26 has a small icon in the corner to raise a much larger menu.
This, of course, raises the interface, deleting a few more elements from the default performance. But with the caused, the large size of the icons makes them very simple in actual use.
Apple Liquid Glass Motif does not help so much here. But the changes in the layout, which he called, of course, improved the application.
the best resolution parameters
One thing that was a problem with the old camera application was that some important settings were that some important settings were that there were some important settings Buried in the application. This is still so, since you need to go deeper in order to access a few important switches for formats.
Tapping Toggles for Proraw & amp; Resolution control, as well as Apple Prores, raises several additional icons in the main interface. However, this time the presentation makes much more sense.
With these included, details appear in the upper left corner showing the format and other video or images settings. At first glance, you can see the frame rate, resolution and video format, or format and image resolution.
permission is easier to choose in the application, but you still have more options in the settings.
tapping these extensions to give you parameters, so you can switch to RAW for images or switch to a 48-megapixel shot for photography. In the video section there are options for Prore in HDR or magazine, 4K resolution and frame rate between 24 and 60.
This is a huge difference in the simplicity and camera of iOS 18, which was much more limited to photographs. For the video, it was slightly disappointing, as you had to press a bicycle between the frame rate and formats.
Like the last time, you can go to the “Settings” application to install presets for video and to change functions. There are many more options for setting in the settings of a complete stop, but it is nice that these more important elements are easier to regulate in the camera application itself.
Play for creating
Changes of Apple are certainly something that can be considered evolution, it can be considered evolution. which connects in the whole spirit of liquid glass. The camera is designed for an intuitive application that offers the basis for obtaining an image, allowing those who dig a little deeper, more freedom for their images.
as if you want the application to go out of the user's path.
Switching the user interface, of course, minimizes the distraction from the production act this year. It is important to note that this does this, and also remains very useful and customizable.
The ability to set the resolution and personnel settings to be more easily changed at any time, is a huge game for the crowd of content creators. Resolution and switching between the Prors magazine and conventional settings of the video are invaluable for people who want to control what they shoot.
to some extent small pain points of the previous camera could bring some video operators to third-party applications that provided greater control with less disappointment.
what Apple has done is given by the creators of the content, more a reason for the default application. Thanks to the best resolution and management of some important settings, it is more easily available, it is necessary to go less to a third -party application for the production of video.
This is a minimalist improvement, but where the changes are made correctly.
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